The women (or the men) will take a place at one of the cocktail tables and the men (or the women) will rotate through. THE DATES According to the choice of the producers, we hear a series of dating monologues and duets. Another character is unhappy with the scene and eventually leaves (not before singing about that unhappiness).
The music in this scene is written in a variety of keys and the sequence is left to the producers.
Speed dating the movie cast
The plan runs into problems when they are denied a liquor license and an ex-girlfriend attempts to expose the scam.
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That all changes when the best friend Too Cool (Wesley Jonathan) invites them to try out a round of speed dating.
for some sexual content Three bachelors set up a speed dating scheme to attract women and money.
Best friends Dog (Chico Benymon) and Beaver (Leonard Robinson) have difficulty ever meeting women.
No matter what they do, nothing ever goes right for them.
Somewhere in this succession of dates, there is a duet “Order up” between the bartender and the cocktail waitress. The dates have a large variety of characters–the flirt, the ditz, a dancer, a shy origamist, a fire control officer, a wealthy person trying to live a quiet normal life, a fitness fanatic, a bassoon player, a character with a “checklist”, a steampunk girl. This develops into a large ensemble, reflecting the various states of mind of the daters.
The plan is to have a book of fifty daters to choose from, not all of whom will be in the show. THE FINALE The cocktail waitress and bartender observes the scene with a certain sympathy to the daters. One of the daters can’t seem to stop playing with their hand held device resolves to try one more date, but if it doesn’t fly, they are going to leave.
Because of its flexible casting requirements, it allows for maximum participation by available singers. is divided into three sections–the opening, the dates, and the finale. Some small cocktail tables down front, each with two chairs. A quiet evening, the bartender instructs the cocktail waitress and busboy to get ready for the evening.
Vocal demands of the opera are not strenuous—rather the show is an exercise in characterization. The waitress usually works the day shift, so although she’s been working at the bar for a while, she’s never met the bartender who works evenings.
The film shows a time span of this little boy growing into a young adult, by displaying milestones in both his real life and his imaginary world.