It is also found as a surname, although this is very rare.
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What makes me consider this film as far superior to the much lauded, Oscar-winning ' The Lives of Others' is that it does not sacrifice atmosphere to film making conventions.
For instance, there is no music, because there was no music.
And that's what director/ screenwriter Christian Petzold does: he tells the story of a doctor, displaced from the capital to the province for an application to leave the country, and confronting an atmosphere of distrust while preparing her escape to the West.
This routine of hostility is a little ameliorated by the interest of a male colleague, who may however be an assigned informer, and the friendship to a pregnant patient, who apparently escaped from a juvenile offenders camp only to be recaptured.
Realism makes for an accurate portrayal of the recent past, but for those who have not been there, ' Barbara' may be a bit too stiff and gloomy, because it does not compromise its authenticity to the expectations of (Western) audiences.
It originated in countries of Eastern and Southern Europe as a diminutive of Alexander and Alexandra.
Adaptations of recent events, however, fall under close scrutiny of those who were actually there, and any attempt to 'tell the whole story' will invariably meet with criticism from those who feel left out of the picture, or who remember differently.
It is therefore the best solution for the film maker to focus on atmosphere rather than events, and a simple story rather than a complex rendition of society as a whole.
Their increasingly rebellious daughter Jeanne begins to pose a threat to their security ...
See full summary » In 1980s East Germany, Barbara is a Berlin doctor banished to a country medical clinic for applying for an exit visa.
When their fraught interaction finally comes to dramatic conclusion, Yella's life takes an odd shift.